Marathon Viewing This Year's Christmas Films: The Good, The Bad and The So-Bad-It's-Good.
It is the time of year to relax on the couch and devour a tin of mince pies in front of a terrific flick, a bad movie, or one that’s so bad it’s good.
Once again, a batch of new holiday movies hopes to be part of our festive viewing—potentially even earning a place alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (don’t start).
Therefore, in a helpful attempt to separate the winners from the losers, and to embrace the holiday mood, I watched as many fresh festive movies as possible in a single day.
7.17am - A Very Jonas Christmas Movie
Kicking off, optimistically, on a positive note. This release is the sole 2025 entry on a famous website's list of the greatest 100 Christmas movies of all time.
The popular band find themselves stranded in the UK after concluding their international trek and must make it back for Christmas. Their attempts are hampered by an villainous Saint Nick, who sings to state they won’t get home until they “rediscover their sibling bond.”
The repartee between the squabbling siblings is amusing even for the non-fan, while devotees will certainly notice lots of in-jokes as they attempt to get back using all transportation available.
It’s a journey of epic proportions.
It’s not an all-time classic, but is superb for devotees and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who are obliged to sit through it.
Late Morning: Tinsel Town
Hollywood star Kiefer Sutherland appears as a movie actor cast a pantomime.
“A what's a panto??” asks Sutherland’s “temperamental” and older action hero Brad Mack, who has seen better days and whose representative has misled him into thinking he’s performing in renowned British drama.
His pantomime cast-mates tell him he’s playing Buttons. “Absolutely not,” he protests. One can imagine their reply. Unless you’re unfamiliar with traditional panto catchphrases.
There are some very funny lines, some cockle-warming sub-plots, and the rest of the cast is excellent, too.
It’s the type of film that would be a bit cheesy at a different time, but is a lot of fun at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
10.19am - Christmas Karma
Danny Dyer pops up at the start of this film, too, delivering a signature line for the second film in a row. Might this become a fresh holiday staple?
This time, he’s a crooning chauffeur who encounters Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The well-known tale progresses as the tight-fisted Mr Sood is confronted by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least unique from all the others, but sadly he’s not very charismatic and Nayyar’s portrayal is wooden—a significant issue when he’s so the main character.
Festive score: 🎄🎄
12.04pm - Stuffed
Before lunch for a network's Christmas comedy-drama—which stars Guz Khan as a lovably grouchy guy who “isn't big on Christmas.”
But after he is awarded an large festive windfall at work, his wife (played by Morgana Robinson) talks him into spending the sum on a vacation to Lapland.
There’s just one problem—he finds out there was an mix-up with his bonus, which should have been £800, and he has to devise a plan for how to pay back the excess.
Enjoyable but forgettable.
Holiday verdict: 🎄🎄
Early Afternoon: Champagne Problems
This is one of those holiday movies where the tree, fairy lights and snow are in the backdrop—Christmas is the environment of the film rather than its core purpose—but it feels warm and holiday-like all the same.
Driven corporate star Sydney (played by Minka Kelly) is assigned to a vineyard to negotiate a purchase for a sparkling wine company. En route, she encounters a man in a book store who promises to show her Christmas in Paris.
An expert recently declared this is the best new Christmas film of the recent era. That’s a bit of a overstatement, but it is a Christmas romance with a hint of sophistication and gives the required warm and fuzzy feels.
The scene with a lengthy discussion about Die Hard is particularly strong too.
Holiday verdict: 🎄🎄🎄
3.29pm - Finding Father Christmas
Sixteen-year-old Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, regardless of the persuasion of his dad (starring James Buckley) to tell him otherwise.
The truth is out there, and Chris ventures forth to find it with the expert help of a panel of well-known figures.
It’s gentle but sweet, and ideal viewing while anticipating Santa to visit.
Festive score: 🎄🎄🎄
Late Afternoon: Oh. What. Fun.
Michelle Pfeiffer is the mother of a bickering American family who come back together for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer starts by mentioning classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before declaring: “They need to make a movie about the true heroes of the holidays—moms.”
So that’s the concept, but in execution it’s really a combination of those inspirations, at least until Pfeiffer’s character eventually finds her strength.
Festive score: 🎄🎄
Evening: A Scottish Christmas Secret
The day’s waned in quality, but thankfully here’s a new addition in the saturated market of formulaic, schmaltzy, badly acted—and utterly watchable—seasonal comfort food.
It’s a story as old as time: An American woman journeys to a picturesque cold country and ends up finding romance.
In this case, Caprice Bourret plays a publisher